{"id":1029,"date":"2023-04-17T16:26:16","date_gmt":"2023-04-17T20:26:16","guid":{"rendered":"https:\/\/appropriation.cqt.ca\/pour-aller-plus-loin\/"},"modified":"2023-05-17T09:30:36","modified_gmt":"2023-05-17T13:30:36","slug":"going-further","status":"publish","type":"page","link":"https:\/\/appropriation.cqt.ca\/en\/going-further\/","title":{"rendered":"Pour aller plus loin"},"content":{"rendered":"\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-lgl5rcu1-3a2160e57a7b78bcb0cd14688b6d2ec0\">\n.avia-section.av-lgl5rcu1-3a2160e57a7b78bcb0cd14688b6d2ec0{\nbackground-color:#191919;\nbackground-repeat:no-repeat;\nbackground-image:url(https:\/\/appropriation.cqt.ca\/wp-content\/uploads\/2023\/05\/banniere-pour-aller-plus-loin-1.jpg), linear-gradient( to top, #191919, #070606 );\nbackground-position:100% 0%;\nbackground-attachment:scroll;\n}\n<\/style>\n<div id='av_section_1'  class='avia-section av-lgl5rcu1-3a2160e57a7b78bcb0cd14688b6d2ec0 main_color avia-section-default avia-no-border-styling  avia-builder-el-0  el_before_av_one_fourth  avia-builder-el-first  avia-full-stretch avia-bg-style-scroll av-minimum-height av-minimum-height-50 av-height-50  container_wrap sidebar_right'  data-section-bg-repeat='stretch' data-av_minimum_height_pc='50' data-av_min_height_opt='50'><div class='container av-section-cont-open' ><main  role=\"main\" itemprop=\"mainContentOfPage\"  class='template-page content  av-content-small alpha units'><div class='post-entry post-entry-type-page post-entry-1029'><div class='entry-content-wrapper clearfix'>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-lgl5m72h-b72a04bc383947785f9624f79fb49785\">\n#top .av-special-heading.av-lgl5m72h-b72a04bc383947785f9624f79fb49785{\nmargin:0 0 0 0px;\npadding-bottom:10px;\ncolor:#ffffff;\n}\nbody .av-special-heading.av-lgl5m72h-b72a04bc383947785f9624f79fb49785 .av-special-heading-tag .heading-char{\nfont-size:25px;\n}\n.av-special-heading.av-lgl5m72h-b72a04bc383947785f9624f79fb49785 .special-heading-inner-border{\nborder-color:#ffffff;\n}\n.av-special-heading.av-lgl5m72h-b72a04bc383947785f9624f79fb49785 .av-subheading{\nfont-size:15px;\n}\n<\/style>\n<div  class='av-special-heading av-lgl5m72h-b72a04bc383947785f9624f79fb49785 av-special-heading-h1 custom-color-heading blockquote modern-quote  avia-builder-el-1  avia-builder-el-no-sibling '><h1 class='av-special-heading-tag '  itemprop=\"headline\"  >GOING FURTHER <\/h1><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div>\n<\/div><\/div><\/main><!-- close content main element --><\/div><\/div><div id='after_section_1'  class='main_color av_default_container_wrap container_wrap sidebar_right'  ><div class='container av-section-cont-open' ><div class='template-page content  av-content-small alpha units'><div class='post-entry post-entry-type-page post-entry-1029'><div class='entry-content-wrapper clearfix'>\n<div  class='flex_column av-mtem3-f04275918f3a3afa61ec6355336bde9c av_one_fourth  avia-builder-el-2  el_after_av_section  el_before_av_one_half  avia-builder-el-first  first av-break-at-tablet flex_column_div av-hide-on-mobile  '     ><\/div>\n<div  class='flex_column av-g08zv-51827643ff9f7fada637ed6cb757d864 av_one_half  avia-builder-el-3  el_after_av_one_fourth  el_before_av_one_fourth  av-break-at-tablet flex_column_div  '     ><style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-lgl5tb09-14c3f9cb9829385cae22b2ea551bf3ab\">\n#top .av_textblock_section.av-lgl5tb09-14c3f9cb9829385cae22b2ea551bf3ab .avia_textblock{\nfont-size:18px;\n}\n<\/style>\n<section  class='av_textblock_section av-lgl5tb09-14c3f9cb9829385cae22b2ea551bf3ab '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><div id=\"u45\" class=\"ax_default paragraph\">\n<div id=\"u45_text\" class=\"text \">\n<p>This non-exhaustive section lists a selection of digitized or printed resources that will help you learn more about several of the themes addressed in this toolkit on cultural appropriation.<\/p>\n<\/div>\n<\/div>\n<div id=\"u47\" class=\"ax_default box_2\"><\/div>\n<\/div><\/section><\/div>\n<div  class='flex_column av-83pxv-432eec2570ac773a7a55ef7d93b7c6dc av_one_fourth  avia-builder-el-5  el_after_av_one_half  el_before_av_section  avia-builder-el-last  av-break-at-tablet flex_column_div av-hide-on-mobile  '     ><\/div>\n<\/div><\/div><\/div><!-- close content main div --><\/div><\/div><div id='av_section_2'  class='avia-section av-7bypn-d9640223279493e7c20fbacebd085308 main_color avia-section-no-padding avia-no-border-styling  avia-builder-el-6  el_after_av_one_fourth  el_before_av_section  avia-bg-style-scroll container_wrap sidebar_right'  ><div class='container av-section-cont-open' ><div class='template-page content  av-content-small alpha units'><div class='post-entry post-entry-type-page post-entry-1029'><div class='entry-content-wrapper clearfix'>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-lgl605wq-3dc44a848ba908c9d9ce1d231e11930c\">\n#top .av-special-heading.av-lgl605wq-3dc44a848ba908c9d9ce1d231e11930c{\npadding-bottom:10px;\n}\nbody .av-special-heading.av-lgl605wq-3dc44a848ba908c9d9ce1d231e11930c .av-special-heading-tag .heading-char{\nfont-size:25px;\n}\n.av-special-heading.av-lgl605wq-3dc44a848ba908c9d9ce1d231e11930c .av-subheading{\nfont-size:15px;\n}\n<\/style>\n<div  class='av-special-heading av-lgl605wq-3dc44a848ba908c9d9ce1d231e11930c av-special-heading-h2 blockquote modern-quote  avia-builder-el-7  el_before_av_one_full  avia-builder-el-first '><h2 class='av-special-heading-tag '  itemprop=\"headline\"  >General Internet Resources<\/h2><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-aa7k3-020e2cfc0f23279a752db791fdf6836d\">\n.flex_column.av-aa7k3-020e2cfc0f23279a752db791fdf6836d{\npadding:0 10% 0 10%;\n}\n<\/style>\n<div  class='flex_column av-aa7k3-020e2cfc0f23279a752db791fdf6836d av_one_full  avia-builder-el-8  el_after_av_heading  el_before_av_hr  first flex_column_div  '     ><p><section  class='av_textblock_section av-lhq0dtx0-0a4795df10175143d7d45648fb102ca5 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.carfac.ca\/tools\/indigenous-protocols-for-the-visual-arts\/\" target=\"_blank\" rel=\"noopener\">\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-e9bkb-6afe6a8451fa6cf3f5f7f8062639769f\">\n.av_font_icon.av-e9bkb-6afe6a8451fa6cf3f5f7f8062639769f .av-icon-char{\nfont-size:25px;\nline-height:25px;\n}\n<\/style>\n<span  class='av_font_icon av-e9bkb-6afe6a8451fa6cf3f5f7f8062639769f avia_animate_when_visible av-icon-style- avia-icon-pos-left avia-iconfont avia-font-entypo-fontello av-no-color avia-icon-animate'><span class='av-icon-char' data-av_icon='\ue835' data-av_iconfont='entypo-fontello' aria-hidden=\"true\" ><\/span><\/span>Canadian artists representation \u2013 Le Front des artistes canadiens (CARFAC) (2023). Indigenous Protocols for the Visual Arts.<\/a><\/strong><\/span><\/p>\n<\/div><\/section><br \/>\n<section  class='av_textblock_section av-lhq0ffan-9977fbb4d09ab07c2351c43617074cdd '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.artsmontreal.org\/en\/glossary\/\" target=\"_blank\" rel=\"noopener\">\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_font_icon-0c0a0f4d905275ae9c86509590debbd4\">\n.av_font_icon.av-av_font_icon-0c0a0f4d905275ae9c86509590debbd4 .av-icon-char{\nfont-size:25px;\nline-height:25px;\n}\n<\/style>\n<span  class='av_font_icon av-av_font_icon-0c0a0f4d905275ae9c86509590debbd4 avia_animate_when_visible av-icon-style- avia-icon-pos-left avia-iconfont avia-font-entypo-fontello av-no-color avia-icon-animate'><span class='av-icon-char' data-av_icon='\ue835' data-av_iconfont='entypo-fontello' aria-hidden=\"true\" ><\/span><\/span>Conseil des Arts de Montr\u00e9al (2023). Glossary on cultural diversity in the arts.<\/a><\/strong><\/span><\/p>\n<\/div><\/section><br \/>\n<section  class='av_textblock_section av-lhq0gfxw-b2ca1cb902b898aee420ef74517e71a6 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/canadacouncil.ca\/funding\/funding-decisions\/decision-making-process\/application-assessment\/context-briefs\/cultural-appropriation\" target=\"_blank\" rel=\"noopener\">\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_font_icon-0c0a0f4d905275ae9c86509590debbd4\">\n.av_font_icon.av-av_font_icon-0c0a0f4d905275ae9c86509590debbd4 .av-icon-char{\nfont-size:25px;\nline-height:25px;\n}\n<\/style>\n<span  class='av_font_icon av-av_font_icon-0c0a0f4d905275ae9c86509590debbd4 avia_animate_when_visible av-icon-style- avia-icon-pos-left avia-iconfont avia-font-entypo-fontello av-no-color avia-icon-animate'><span class='av-icon-char' data-av_icon='\ue835' data-av_iconfont='entypo-fontello' aria-hidden=\"true\" ><\/span><\/span>Canada Council for the Arts (n. d.). Context Brief: cultural appropriation and the Council\u2019s approach to it.<\/a><\/strong><\/span><\/p>\n<\/div><\/section><br \/>\n<section  class='av_textblock_section av-lhq0hk4h-b4033c924c549ecf06400944b55a09a6 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/briserlecode.telequebec.tv\/\" target=\"_blank\" rel=\"noopener\">\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_font_icon-0c0a0f4d905275ae9c86509590debbd4\">\n.av_font_icon.av-av_font_icon-0c0a0f4d905275ae9c86509590debbd4 .av-icon-char{\nfont-size:25px;\nline-height:25px;\n}\n<\/style>\n<span  class='av_font_icon av-av_font_icon-0c0a0f4d905275ae9c86509590debbd4 avia_animate_when_visible av-icon-style- avia-icon-pos-left avia-iconfont avia-font-entypo-fontello av-no-color avia-icon-animate'><span class='av-icon-char' data-av_icon='\ue835' data-av_iconfont='entypo-fontello' aria-hidden=\"true\" ><\/span><\/span>Government of Canada. (2019). Caring for sacred and culturally sensitive objects.<\/a><\/strong><\/span><\/p>\n<\/div><\/section><br \/>\n<section  class='av_textblock_section av-lhq0imfd-ff8e814362dd1299dc3bf559f1a0fbbf '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/briserlecode.telequebec.tv\/\" target=\"_blank\" rel=\"noopener\">\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_font_icon-0c0a0f4d905275ae9c86509590debbd4\">\n.av_font_icon.av-av_font_icon-0c0a0f4d905275ae9c86509590debbd4 .av-icon-char{\nfont-size:25px;\nline-height:25px;\n}\n<\/style>\n<span  class='av_font_icon av-av_font_icon-0c0a0f4d905275ae9c86509590debbd4 avia_animate_when_visible av-icon-style- avia-icon-pos-left avia-iconfont avia-font-entypo-fontello av-no-color avia-icon-animate'><span class='av-icon-char' data-av_icon='\ue835' data-av_iconfont='entypo-fontello' aria-hidden=\"true\" ><\/span><\/span>Leduc, Ky Vy (producer) (2020). Briser le code [documentary, in French only]. T\u00e9l\u00e9-Qu\u00e9bec and Picbois Productions.<\/a><\/strong><\/span><\/p>\n<\/div><\/section><br \/>\n<section  class='av_textblock_section av-lhq0m8bw-ac2a4589174d7faa58702de23bcefabc '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/liguedesdroits.ca\/capsule-racisme\/\" target=\"_blank\" rel=\"noopener\">\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_font_icon-0c0a0f4d905275ae9c86509590debbd4\">\n.av_font_icon.av-av_font_icon-0c0a0f4d905275ae9c86509590debbd4 .av-icon-char{\nfont-size:25px;\nline-height:25px;\n}\n<\/style>\n<span  class='av_font_icon av-av_font_icon-0c0a0f4d905275ae9c86509590debbd4 avia_animate_when_visible av-icon-style- avia-icon-pos-left avia-iconfont avia-font-entypo-fontello av-no-color avia-icon-animate'><span class='av-icon-char' data-av_icon='\ue835' data-av_iconfont='entypo-fontello' aria-hidden=\"true\" ><\/span><\/span>League of Rights and Freedoms (2019). Systemic racism\u2026 let&#8217;s talk about it!.<\/a><\/strong><\/span><\/p>\n<\/div><\/section><br \/>\n<section  class='av_textblock_section av-lhq0n509-3ebc73da57927dcea14a45421a18d4a6 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.mikana.ca\/en\/resources\/\" target=\"_blank\" rel=\"noopener\">\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_font_icon-0c0a0f4d905275ae9c86509590debbd4\">\n.av_font_icon.av-av_font_icon-0c0a0f4d905275ae9c86509590debbd4 .av-icon-char{\nfont-size:25px;\nline-height:25px;\n}\n<\/style>\n<span  class='av_font_icon av-av_font_icon-0c0a0f4d905275ae9c86509590debbd4 avia_animate_when_visible av-icon-style- avia-icon-pos-left avia-iconfont avia-font-entypo-fontello av-no-color avia-icon-animate'><span class='av-icon-char' data-av_icon='\ue835' data-av_iconfont='entypo-fontello' aria-hidden=\"true\" ><\/span><\/span>Mikana (2020). Decolonial Toolbox and other resources.<\/a><\/strong><\/span><\/p>\n<\/div><\/section><br \/>\n<section  class='av_textblock_section av-lhq0o6ii-4f2ff504088dcbfd396012a4eef52fc0 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.moishistoiredesnoirs.com\/histoire-des-communautes\" target=\"_blank\" rel=\"noopener\">\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_font_icon-0c0a0f4d905275ae9c86509590debbd4\">\n.av_font_icon.av-av_font_icon-0c0a0f4d905275ae9c86509590debbd4 .av-icon-char{\nfont-size:25px;\nline-height:25px;\n}\n<\/style>\n<span  class='av_font_icon av-av_font_icon-0c0a0f4d905275ae9c86509590debbd4 avia_animate_when_visible av-icon-style- avia-icon-pos-left avia-iconfont avia-font-entypo-fontello av-no-color avia-icon-animate'><span class='av-icon-char' data-av_icon='\ue835' data-av_iconfont='entypo-fontello' aria-hidden=\"true\" ><\/span><\/span>Black History Month (2023). The history of Quebec\u2019s black communities. <\/a><\/strong><\/span><\/p>\n<\/div><\/section><br \/>\n<section  class='av_textblock_section av-lhq0p47c-a0eb55107fb0a03a1469e954be0b1aa9 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.musee-mccord-stewart.ca\/en\/exhibitions\/indigenous-voices-of-today\/\" target=\"_blank\" rel=\"noopener\">\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_font_icon-0c0a0f4d905275ae9c86509590debbd4\">\n.av_font_icon.av-av_font_icon-0c0a0f4d905275ae9c86509590debbd4 .av-icon-char{\nfont-size:25px;\nline-height:25px;\n}\n<\/style>\n<span  class='av_font_icon av-av_font_icon-0c0a0f4d905275ae9c86509590debbd4 avia_animate_when_visible av-icon-style- avia-icon-pos-left avia-iconfont avia-font-entypo-fontello av-no-color avia-icon-animate'><span class='av-icon-char' data-av_icon='\ue835' data-av_iconfont='entypo-fontello' aria-hidden=\"true\" ><\/span><\/span>McCord Museum (2023). Indigenous Voces of Today: Knowledge, Trauma, Resilience [exhibition]. <\/a><\/strong><\/span><\/p>\n<\/div><\/section><br \/>\n<section  class='av_textblock_section av-lhq0q2ur-749e9bb12a1898640b52ecaa918a20fb '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/ici.radio-canada.ca\/ohdio\/balados\/7628\/autochtones-traditions-communautes-langue-territoire\/\" target=\"_blank\" rel=\"noopener\">\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_font_icon-0c0a0f4d905275ae9c86509590debbd4\">\n.av_font_icon.av-av_font_icon-0c0a0f4d905275ae9c86509590debbd4 .av-icon-char{\nfont-size:25px;\nline-height:25px;\n}\n<\/style>\n<span  class='av_font_icon av-av_font_icon-0c0a0f4d905275ae9c86509590debbd4 avia_animate_when_visible av-icon-style- avia-icon-pos-left avia-iconfont avia-font-entypo-fontello av-no-color avia-icon-animate'><span class='av-icon-char' data-av_icon='\ue835' data-av_iconfont='entypo-fontello' aria-hidden=\"true\" ><\/span><\/span>Terre Innue (2021). \u201cLaissez-nous raconter l\u2019histoire: l\u2019histoire crochie.\u201d Produced by Terre Innue in collaboration with Radio-Canada Ohdio [in French only].<\/a><\/strong><\/span><\/p>\n<\/div><\/section><\/p><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-lgl911zt-5e9873d26b537068eb26291fd577927a\">\n#top .hr.hr-invisible.av-lgl911zt-5e9873d26b537068eb26291fd577927a{\nheight:80px;\n}\n<\/style>\n<div  class='hr av-lgl911zt-5e9873d26b537068eb26291fd577927a hr-invisible  avia-builder-el-29  el_after_av_one_full  el_before_av_heading '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-gks6z-b14d667267a3c92f36ac497515fd9fdd\">\n#top .av-special-heading.av-gks6z-b14d667267a3c92f36ac497515fd9fdd{\npadding-bottom:10px;\n}\nbody .av-special-heading.av-gks6z-b14d667267a3c92f36ac497515fd9fdd .av-special-heading-tag .heading-char{\nfont-size:25px;\n}\n.av-special-heading.av-gks6z-b14d667267a3c92f36ac497515fd9fdd .av-subheading{\nfont-size:15px;\n}\n<\/style>\n<div  class='av-special-heading av-gks6z-b14d667267a3c92f36ac497515fd9fdd av-special-heading-h2 blockquote modern-quote  avia-builder-el-30  el_after_av_hr  el_before_av_one_full '><h2 class='av-special-heading-tag '  itemprop=\"headline\"  >Decolonialist Approaches<\/h2><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-6nscb-8344f9e11b2560da2b7be87063c9abde\">\n.flex_column.av-6nscb-8344f9e11b2560da2b7be87063c9abde{\npadding:0 10% 0 10%;\n}\n<\/style>\n<div  class='flex_column av-6nscb-8344f9e11b2560da2b7be87063c9abde av_one_full  avia-builder-el-31  el_after_av_heading  el_before_av_hr  first flex_column_div  '     ><p><section  class='av_textblock_section av-lhq0v1xf-c53948fcbbef6fa2f802b38db4eda128 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/doi.org\/10.7202\/1051620ar\" target=\"_blank\" rel=\"noopener\">\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_font_icon-0c0a0f4d905275ae9c86509590debbd4\">\n.av_font_icon.av-av_font_icon-0c0a0f4d905275ae9c86509590debbd4 .av-icon-char{\nfont-size:25px;\nline-height:25px;\n}\n<\/style>\n<span  class='av_font_icon av-av_font_icon-0c0a0f4d905275ae9c86509590debbd4 avia_animate_when_visible av-icon-style- avia-icon-pos-left avia-iconfont avia-font-entypo-fontello av-no-color avia-icon-animate'><span class='av-icon-char' data-av_icon='\ue835' data-av_iconfont='entypo-fontello' aria-hidden=\"true\" ><\/span><\/span>Mathias, Ad\u00e9lia da Silva (2018). La formation de la pens\u00e9e d\u00e9coloniale. \u00c9tudes litt\u00e9raires africaines, 45, 169\u2013173 [in French only].<\/a><\/strong><\/span><\/p>\n<\/div><\/section><br \/>\n<section  class='av_textblock_section av-lgl94yh5-b6d54691564912be52b06c641912fac2 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p id=\"cache71\"><span id=\"cache72\">Mignolo, Walter and Walsh, E. Catherine (2018).\u00a0On Decoloniality: Concepts, Analytics, Praxis. <\/span><span id=\"cache74\">. Duke University Press.<\/span><\/p>\n<\/div><\/section><br \/>\n<section  class='av_textblock_section av-lgl955fv-ed704a8c50f1e3e4510566e94562bd1c '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><div id=\"u32\" class=\"ax_default paragraph\">\n<div id=\"u32_text\" class=\"text \">\n<p id=\"cache78\"><span id=\"cache79\">Tuck, Eve et Wayne Yang. (2022). <\/span><span id=\"cache80\"><em>) Decolonization is not a metaphor<\/em>.<\/span><span id=\"cache81\"> Rot-Bo-Krik.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div><\/section><\/p><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-p3wir-45c165af9f0378368e66db9ebe0dca0b\">\n#top .hr.hr-invisible.av-p3wir-45c165af9f0378368e66db9ebe0dca0b{\nheight:80px;\n}\n<\/style>\n<div  class='hr av-p3wir-45c165af9f0378368e66db9ebe0dca0b hr-invisible  avia-builder-el-36  el_after_av_one_full  el_before_av_heading '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-lglakjks-e2ddd98c830eca06d2fff2507eef858e\">\n#top .av-special-heading.av-lglakjks-e2ddd98c830eca06d2fff2507eef858e{\npadding-bottom:10px;\n}\nbody .av-special-heading.av-lglakjks-e2ddd98c830eca06d2fff2507eef858e .av-special-heading-tag .heading-char{\nfont-size:25px;\n}\n.av-special-heading.av-lglakjks-e2ddd98c830eca06d2fff2507eef858e .av-subheading{\nfont-size:15px;\n}\n<\/style>\n<div  class='av-special-heading av-lglakjks-e2ddd98c830eca06d2fff2507eef858e av-special-heading-h2 blockquote modern-quote  avia-builder-el-37  el_after_av_hr  el_before_av_one_full '><h2 class='av-special-heading-tag '  itemprop=\"headline\"  >Cultural and Artistic Appropriation, Cultural Borrowings and Exchanges<\/h2><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-mw4lv-baab5ea594e0d17ce2fa916f072eeebe\">\n.flex_column.av-mw4lv-baab5ea594e0d17ce2fa916f072eeebe{\npadding:0 10% 0 10%;\n}\n<\/style>\n<div  class='flex_column av-mw4lv-baab5ea594e0d17ce2fa916f072eeebe av_one_full  avia-builder-el-38  el_after_av_heading  el_before_av_hr  first flex_column_div  '     ><section  class='av_textblock_section av-lglal6js-079c41d45a577252bfd694ccceb14bdd '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p id=\"cache82\"><span id=\"cache83\">Babin, Sylvette. (2019). Emprunter sans remettre \/ Borrowing Without Giving Back. <\/span><em><span id=\"cache84\">esse arts + opinions<\/span><\/em><span id=\"cache85\">, (97), 6\u20139.<\/span><\/p>\n<\/div><\/section><br \/>\n<section  class='av_textblock_section av-lglalh77-d75ce3cc69bcda18766db54d7308300f '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p id=\"cache89\"><span id=\"cache90\">Burelle, Julie. (2020). Au-del\u00e0 des bonnes intentions. <\/span><em><span id=\"cache91\">Jeu<\/span><\/em><span id=\"cache92\">, (174), 64\u201367.<\/span><\/p>\n<\/div><\/section><br \/>\n<section  class='av_textblock_section av-lglam3ls-d0d491e23e498bd47ea4399775555a8b '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><div id=\"u32\" class=\"ax_default paragraph\">\n<div id=\"u32_text\" class=\"text \">\n<p id=\"cache96\"><span id=\"cache97\">Carter, Jill. Master Class. Retreating to\/Re-treating from \u201cIrreconcilable Space\u201d: Canadian Theatre Workers and the Project of Conciliation. Dans Evan Tsitias, <\/span><em><span id=\"cache98\">The Directors Lab: Techniques, Methods and Conversations About All Things Theatre<\/span><\/em><span id=\"cache99\"> (p. 185- 201). Toronto: Playwrights Canada Press.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div><\/section><br \/>\n<section  class='av_textblock_section av-lhq0wr5m-a4097dc1a89d3fdda8f1aab5adab937e '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.cnrtl.fr\/%20etymologie\/appropriation\" target=\"_blank\" rel=\"noopener\">\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_font_icon-0c0a0f4d905275ae9c86509590debbd4\">\n.av_font_icon.av-av_font_icon-0c0a0f4d905275ae9c86509590debbd4 .av-icon-char{\nfont-size:25px;\nline-height:25px;\n}\n<\/style>\n<span  class='av_font_icon av-av_font_icon-0c0a0f4d905275ae9c86509590debbd4 avia_animate_when_visible av-icon-style- avia-icon-pos-left avia-iconfont avia-font-entypo-fontello av-no-color avia-icon-animate'><span class='av-icon-char' data-av_icon='\ue835' data-av_iconfont='entypo-fontello' aria-hidden=\"true\" ><\/span><\/span>Centre national de ressources textuelles et lexicales. (2012).<\/a><\/strong><\/span><\/p>\n<\/div><\/section><br \/>\n<section  class='av_textblock_section av-lhq1hc4z-73cbf0197c368a4f0524202fbd7593dc '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/cqt.ca\/files\/c81dd942c9a1649b21e6428470e66847.pdf\" target=\"_blank\" rel=\"noopener\">\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_font_icon-0c0a0f4d905275ae9c86509590debbd4\">\n.av_font_icon.av-av_font_icon-0c0a0f4d905275ae9c86509590debbd4 .av-icon-char{\nfont-size:25px;\nline-height:25px;\n}\n<\/style>\n<span  class='av_font_icon av-av_font_icon-0c0a0f4d905275ae9c86509590debbd4 avia_animate_when_visible av-icon-style- avia-icon-pos-left avia-iconfont avia-font-entypo-fontello av-no-color avia-icon-animate'><span class='av-icon-char' data-av_icon='\ue835' data-av_iconfont='entypo-fontello' aria-hidden=\"true\" ><\/span><\/span>Conseil qu\u00e9b\u00e9cois du th\u00e9\u00e2tre (CQT). (2019, octobre).<em>Rapport d\u2019\u00e9tape du Comit\u00e9 th\u00e9\u00e2tre et diversit\u00e9 culturelle<\/em>.<\/a><\/strong><\/span><\/p>\n<\/div><\/section><br \/>\n<section  class='av_textblock_section av-lhq1j7l5-90c73849de2e8aa479324a8f187811f3 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.archivesdelacritiquedart.org\/wp-content\/uploads\/2016\/04\/AICA76-Com-Kenneth-Coutts-Smith.pdf\" target=\"_blank\" rel=\"noopener\">\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_font_icon-0c0a0f4d905275ae9c86509590debbd4\">\n.av_font_icon.av-av_font_icon-0c0a0f4d905275ae9c86509590debbd4 .av-icon-char{\nfont-size:25px;\nline-height:25px;\n}\n<\/style>\n<span  class='av_font_icon av-av_font_icon-0c0a0f4d905275ae9c86509590debbd4 avia_animate_when_visible av-icon-style- avia-icon-pos-left avia-iconfont avia-font-entypo-fontello av-no-color avia-icon-animate'><span class='av-icon-char' data-av_icon='\ue835' data-av_iconfont='entypo-fontello' aria-hidden=\"true\" ><\/span><\/span>Coutts-Smith, Kenneth. (1976, septembre). \u201cSome General Observations on the Problem of Cultural Colonialism\u201c. Lisbonne : communication pr\u00e9sent\u00e9e au congr\u00e8s de l\u2019Association internationale des critiques d\u2019art. <\/a><\/strong><\/span><\/p>\n<\/div><\/section><br \/>\n<section  class='av_textblock_section av-lhq21af9-608cae5aea6b50f3f24da04cbaf6072c '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/www.thecanadianencyclopedia.ca\/en\/article\/cultural-appropriation-of-indigenous-peoples-in-canada\" target=\"_blank\" rel=\"noopener\">\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_font_icon-0c0a0f4d905275ae9c86509590debbd4\">\n.av_font_icon.av-av_font_icon-0c0a0f4d905275ae9c86509590debbd4 .av-icon-char{\nfont-size:25px;\nline-height:25px;\n}\n<\/style>\n<span  class='av_font_icon av-av_font_icon-0c0a0f4d905275ae9c86509590debbd4 avia_animate_when_visible av-icon-style- avia-icon-pos-left avia-iconfont avia-font-entypo-fontello av-no-color avia-icon-animate'><span class='av-icon-char' data-av_icon='\ue835' data-av_iconfont='entypo-fontello' aria-hidden=\"true\" ><\/span><\/span>The Canadian Encyclopedia online (2019). Cultural Appropriation of Indigenous Peoples in Canada.<\/a><\/strong><\/span><\/p>\n<\/div><\/section><br \/>\n<section  class='av_textblock_section av-lgm75gam-3793e954d03037f6a6b0683a842e390d '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><div id=\"u32\" class=\"ax_default paragraph\">\n<div id=\"u32_text\" class=\"text \">\n<p id=\"cache51\"><span id=\"cache52\">Groffier, Ethel. (2020). Dire l\u2019autre. <\/span><em><span id=\"cache53\">Appropriation culturelle, voix autochtones et libert\u00e9 d\u2019expression<\/span><\/em><span id=\"cache54\">. Montr\u00e9al : Lem\u00e9ac \u00c9diteur.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div><\/section><br \/>\n<section  class='av_textblock_section av-lgm75ufl-a000bfb5e7e4271256267be072a5ab54 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><div id=\"u32\" class=\"ax_default paragraph\">\n<div id=\"u32_text\" class=\"text \">\n<p id=\"cache58\"><span id=\"cache59\">Highway, Tomson. (2019). <\/span><span id=\"cache60\"><em>Pour l&#8217;amour du multilinguisme: une histoire d&#8217;une monstrueuse extravagance<\/em>.<\/span><span id=\"cache61\">M\u00e9moire d\u2019encrier.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div><\/section><br \/>\n<section  class='av_textblock_section av-lgm764tl-659c622c5a9631e1e367cdd9b9cf6cc3 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><div id=\"u32\" class=\"ax_default paragraph\">\n<div id=\"u32_text\" class=\"text \">\n<p id=\"cache65\"><span id=\"cache66\">Murat, Laure. (2022). <\/span><span id=\"cache67\"><em>Qui annule quoi?<\/em> <\/span><span id=\"cache68\">\u00c9ditions du Seuil.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div><\/section><br \/>\n<section  class='av_textblock_section av-lgm772hp-f53bd969cb832fabfdd187f2ed5b47b5 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><div id=\"u32\" class=\"ax_default paragraph\">\n<div id=\"u32_text\" class=\"text \">\n<p id=\"cache72\"><span id=\"cache73\">Uzel, Jean-Philippe (2019). Appropriation artistique versus appropriation culturelle\/ Artistic Appropriation Versus Cultural Appropriation. <\/span><em><span id=\"cache74\">esse arts + opinions<\/span><\/em><span id=\"cache75\">, (97), 10-19.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div><\/section><br \/>\n<section  class='av_textblock_section av-lgm77eyo-ca5b3faea48a012990b4dcac1997e3f7 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><div id=\"u32\" class=\"ax_default paragraph\">\n<div id=\"u32_text\" class=\"text \">\n<p id=\"cache79\"><span id=\"cache80\">William, Rodney. (2020). <\/span><em><span id=\"cache81\">L\u2019appropriation culturelle<\/span><\/em><span id=\"cache82\">. Paris: \u00c9ditions Anacaona.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div><\/section><br \/>\n<section  class='av_textblock_section av-lgm77t5q-1bf950c98f1902c3576ce2b9b9ac6956 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><div id=\"u32\" class=\"ax_default paragraph\">\n<div id=\"u32_text\" class=\"text \">\n<p id=\"cache86\"><span id=\"cache87\">Young, O. James. (2008). <\/span><span id=\"cache88\"><em>Cultural Appropriation and the Arts<\/em>.<\/span><span id=\"cache89\"> Malden (\u00c9-U): Blackwell Publishing.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div><\/section><\/p><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-cjbb7-e26fa4a32dc9e8d5f8ef8a4210b08840\">\n#top .hr.hr-invisible.av-cjbb7-e26fa4a32dc9e8d5f8ef8a4210b08840{\nheight:80px;\n}\n<\/style>\n<div  class='hr av-cjbb7-e26fa4a32dc9e8d5f8ef8a4210b08840 hr-invisible  avia-builder-el-56  el_after_av_one_full  el_before_av_heading '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-lgm79izc-f5570381917427b99f0af9e01f1172ff\">\n#top .av-special-heading.av-lgm79izc-f5570381917427b99f0af9e01f1172ff{\npadding-bottom:10px;\n}\nbody .av-special-heading.av-lgm79izc-f5570381917427b99f0af9e01f1172ff .av-special-heading-tag .heading-char{\nfont-size:25px;\n}\n.av-special-heading.av-lgm79izc-f5570381917427b99f0af9e01f1172ff .av-subheading{\nfont-size:15px;\n}\n<\/style>\n<div  class='av-special-heading av-lgm79izc-f5570381917427b99f0af9e01f1172ff av-special-heading-h2 blockquote modern-quote  avia-builder-el-57  el_after_av_hr  el_before_av_one_full '><h2 class='av-special-heading-tag '  itemprop=\"headline\"  >Cognitive biases, Colonialism and Cultural Heritage<\/h2><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-7kh1f-7cb0a01661aae7f13bd1370855d71ee8\">\n.flex_column.av-7kh1f-7cb0a01661aae7f13bd1370855d71ee8{\npadding:0 10% 0 10%;\n}\n<\/style>\n<div  class='flex_column av-7kh1f-7cb0a01661aae7f13bd1370855d71ee8 av_one_full  avia-builder-el-58  el_after_av_heading  el_before_av_hr  first flex_column_div  '     ><p><section  class='av_textblock_section av-lhq22d43-b5c82199405580060d5c92536378964a '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p><span style=\"text-decoration: underline;\"><strong><a href=\"https:\/\/publications.gc.ca\/collections\/collection_2015\/trc\/IR4-5-2015-eng.pdf\" target=\"_blank\" rel=\"noopener\">\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-av_font_icon-0c0a0f4d905275ae9c86509590debbd4\">\n.av_font_icon.av-av_font_icon-0c0a0f4d905275ae9c86509590debbd4 .av-icon-char{\nfont-size:25px;\nline-height:25px;\n}\n<\/style>\n<span  class='av_font_icon av-av_font_icon-0c0a0f4d905275ae9c86509590debbd4 avia_animate_when_visible av-icon-style- avia-icon-pos-left avia-iconfont avia-font-entypo-fontello av-no-color avia-icon-animate'><span class='av-icon-char' data-av_icon='\ue835' data-av_iconfont='entypo-fontello' aria-hidden=\"true\" ><\/span><\/span>Truth and Reconciliation Commission of Canada (2015). The survivors speak: a report of the Truth and Reconciliation Commission of Canada. Winnipeg: Truth and Reconciliation Commission of Canada.<\/a><\/strong><\/span><\/p>\n<\/div><\/section><br \/>\n<section  class='av_textblock_section av-lgm7bqc3-b97cb1e40aba0feac12e87302f0e413c '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p id=\"cache104\"><span id=\"cache105\">B\u00e9chard, Deni Ellis et Kanap\u00e9 Fontaine, Natasha. (2020). <\/span><span id=\"cache106\"><em>Kuei, je te salue \u2013 Conversation sur le racisme<\/em>.<\/span><span id=\"cache107\">Montr\u00e9al : \u00c9ditions \u00c9cosoci\u00e9t\u00e9.<\/span><\/p>\n<\/div><\/section><br \/>\n<section  class='av_textblock_section av-lgm7c5s3-e600c0c4afca0516428b86a331fb2d84 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><div id=\"u32\" class=\"ax_default paragraph\">\n<div id=\"u32_text\" class=\"text \">\n<p id=\"cache111\"><span id=\"cache112\">Bousquet, Marie-Pierre. (2016). La constitution de la m\u00e9moire des pensionnats indiens au Qu\u00e9bec : drame collectif autochtone ou histoire commune? <\/span><span id=\"cache113\"><em>Recherches am\u00e9rindiennes au Qu\u00e9bec<\/em>,<\/span><span id=\"cache114\"> 46 (2-3), 165\u2013176.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div><\/section><br \/>\n<section  class='av_textblock_section av-lgm7cmew-38d8f7186036a3bf4a9e6f6764e473da '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><div id=\"u32\" class=\"ax_default paragraph\">\n<div id=\"u32_text\" class=\"text \">\n<p id=\"cache118\"><span id=\"cache119\">C\u00e9saire, Aim\u00e9. (1950). <\/span><span id=\"cache120\"><em>Discours sur le colonialisme<\/em>.<\/span><span id=\"cache121\">Paris : La R\u00e9publique des Lettres.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div><\/section><br \/>\n<section  class='av_textblock_section av-lgm7d1ck-392e364d394b1e3709c0ef160b5aef20 '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><div id=\"u32\" class=\"ax_default paragraph\">\n<div id=\"u32_text\" class=\"text \">\n<p id=\"cache125\"><span id=\"cache126\">Dufour, Emmanuelle. (2021). <\/span><em><span id=\"cache127\">C\u2019est le Qu\u00e9bec qui est n\u00e9 dans mon pays<\/span><\/em><span id=\"cache128\">. \u00c9cosoci\u00e9t\u00e9.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div><\/section><br \/>\n<section  class='av_textblock_section av-lgm7dezi-32ff821ee21c8222a86fe9ff74cc378b '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><div id=\"u32\" class=\"ax_default paragraph\">\n<div id=\"u32_text\" class=\"text \">\n<p id=\"cache132\"><span id=\"cache133\">Glissant, \u00c9douard. (1997). <\/span><span id=\"cache134\"><em>Trait\u00e9 du Tout-Monde (Po\u00e9tique IV)<\/em>.<\/span><span id=\"cache135\"> Gallimard.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div><\/section><br \/>\n<section  class='av_textblock_section av-lgm7f98j-5fbbd0b10017446a171815a6b6ed866c '   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><div id=\"u32\" class=\"ax_default paragraph\">\n<div id=\"u32_text\" class=\"text \">\n<div id=\"u42\" class=\"ax_default paragraph\">\n<div id=\"u42_text\" class=\"text \">\n<p id=\"cache146\"><span id=\"cache147\">Maynard, Robyn (2017). Policing Black Lives: State violence in Canada from slavery to the present. Fernwood.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/section><\/p><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-135cj-5dbca2de94d8a1005254340139ebb277\">\n#top .hr.hr-invisible.av-135cj-5dbca2de94d8a1005254340139ebb277{\nheight:80px;\n}\n<\/style>\n<div  class='hr av-135cj-5dbca2de94d8a1005254340139ebb277 hr-invisible  avia-builder-el-67  el_after_av_one_full  avia-builder-el-last '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n\n<\/div><\/div><\/div><!-- close content main div --><\/div><\/div><div id='av_section_3' aria-label='Feedback' class='avia-section av-lgm9x14y-86f380dd872c55db1440ac0c834d43cb main_color avia-section-default avia-shadow  avia-builder-el-68  el_after_av_section  avia-builder-el-last  avia-bg-style-scroll container_wrap sidebar_right'  ><div class='container av-section-cont-open' ><div class='template-page content  av-content-small alpha units'><div class='post-entry post-entry-type-page post-entry-1029'><div class='entry-content-wrapper clearfix'>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-lgm9weef-6f22fd63628e3bb4d4bad96673a123b2\">\n#top .av-special-heading.av-lgm9weef-6f22fd63628e3bb4d4bad96673a123b2{\npadding-bottom:10px;\n}\nbody .av-special-heading.av-lgm9weef-6f22fd63628e3bb4d4bad96673a123b2 .av-special-heading-tag .heading-char{\nfont-size:25px;\n}\n.av-special-heading.av-lgm9weef-6f22fd63628e3bb4d4bad96673a123b2 .av-subheading{\nfont-size:15px;\n}\n<\/style>\n<div  class='av-special-heading av-lgm9weef-6f22fd63628e3bb4d4bad96673a123b2 av-special-heading-h3 blockquote modern-quote  avia-builder-el-69  el_before_av_hr  avia-builder-el-first '><h3 class='av-special-heading-tag '  itemprop=\"headline\"  >Share your impressions of this page with us.<\/h3><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-lgmet3gx-4b933798ad71a4669d50999851936062\">\n#top .hr.hr-invisible.av-lgmet3gx-4b933798ad71a4669d50999851936062{\nheight:40px;\n}\n<\/style>\n<div  class='hr av-lgmet3gx-4b933798ad71a4669d50999851936062 hr-invisible  avia-builder-el-70  el_after_av_heading  el_before_av_codeblock '><span class='hr-inner '><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n\n<\/div><\/div><\/div><!-- close content main div --><\/div><\/div><div id='after_section_3'  class='main_color av_default_container_wrap container_wrap sidebar_right'  ><div class='container av-section-cont-open' ><div class='template-page content  av-content-small alpha units'><div class='post-entry post-entry-type-page post-entry-1029'><div class='entry-content-wrapper clearfix'>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1029","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - 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